The Godfather Movie Analysis Film Studies Essay

Published: 2020-06-14 09:16:04
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The Godfather ( 1972 ) is a 1 of a sort film ; it is even considered by many an American classic. The American Film Institute ( AFI ) has The Godfather listed at figure two in 2008 as one of the greatest movies in American civilization today. This film has everything from great action scenes to universe celebrated histrions. This film stars Marlon Brando, Al Pacino, and James Cann among many others. The Godfather portrays one major subject throughout the full film and that is force. Almost every scene in this film is either a shooting of existent force accruing or the audience sees some of the characters speaking about force. However, it is the force in this film that makes it the authoritative it is today.
The gap scene in The Godfather is of adult male pleading with Don Vito Corleone ( Marlon Brando ) to ache some work forces out of justness for his girl. This adult male tells his narrative of his girl being taken advantage of by some immature work forces and it is indicated to the audience that this adult male ‘s girl was raped. This opening scene is dark with really small visible radiation shown which sets the temper for the full film. The audience gets the sense right off the Don Corleone holds the power to do things go on such as justness and do people pay for the incorrect they have caused. After what seems to be an infinity Don Corleone grants the adult male his wish to convey justness to his girl but in exchange Don Corleone tells the adult male that one twenty-four hours in the hereafter he will name upon him for a favour. It is here in this scene that we see that Don Corleone is in charge and that force is the reoccurring subject in the full film.
The following scene is of a vocalist Johnny Fontane ( Al Martino ) which happens to be Don Corleone ‘s godson. Johnny is at that place to inquire the Godfather ” for his aid in set downing a lead function in an approaching film. Johnny believes that if he gets this function it will assist hike his calling and stardom once more. With this petition Corleone sends his adoptive boy Tom Hagen ( Robert Duvall ) to California to do the manager of the film dramatis personae Johnny. After the manager refuses to project Johnny, Tom Hagen cuts the caput off the manager ‘s favourite Equus caballus and puts it in the manager ‘s bed while he is kiping. We assume that after this force occurs the manager casts Johnny in his film. When the camera shoots to the manager in bed there is a batch of blood and the audience really gets to see a cut off Equus caballus caput. This is scene is really ghastly and realistic. After this scene it is clear that if the Corleone household does n’t acquire or hear what they want that they will utilize any action to do their demands met. This scene is used to demo the power the Corleone household holds throughout the state. Again force was the chief aim in this scene.
In the approaching scenes in The Godfather are some of the most of import events in the film because these events are what lead to the continuance of the film. When Hagen returns from California, the full Corleone cortege goes to a really of import meeting where they meet up with a adult male named Virgil Sollozzo ( Al Lettieri. ) Sollozzo wants Corleone ‘s corporation in protecting the rival Tattaglia household because of their involvement in acquiring started in trafficking diacetylmorphine. Coreleone refuses to assist because he believes that acquiring involved with narcotics will destruct his political connexions and his repute. After this meeting Corleone becomes really concerned and sends one of his biggest work forces, Luca Brasi ( Lenny Montana ) to look into in with Sollozzo to see what he is up to but while Brasi is at that place he is stabbed in the manus and is beaten to decease. Again, we see violence used as a manner to acquire things done. Brasi is killed because Sollozzo is being set up. It comes as a daze to the audience because in this scene all of the characters are standing calmly speaking to one another when all of a sudden a adult male takes a knife and pang Brasi manus into the counter top. The audience gets to see the entireness of how hideous it is for Brasi because the camera is focused on Brasi manus when the knife goes through it. In this scene it is clear that other households have efficient ways of managing concern. It seems as though there is a competition between the different households and who of all time can make the most harm is the household who holds the most power.
The following major, of import scene is where Corleone is shopping in an out-of-door market, buying fruit. Corleone has his dorsum towards the camera and the audience feels that something bad is about to go on. Moments subsequently the camera shows work forces running towards Corleone with guns pointed toward him. These work forces start hiting Corleone until he falls to the land. These work forces shot Corleone because he refused Sollozzo ‘s offer. At the same clip Corleone is being shot, Sollozzo captures Hagen and attempts to convert him to state Corleone ‘s oldest boy Sonny ( James Cann ) to take the offer. This is one of the less in writing scene ‘s the audience gets to see, this is likely done discretely because it represents the regard people hold for Corleone. Here, the audience experiences more of an emotional consequence when Corleone is shot. Even though he is a rabble boss the audience has learned to demur and like Corleone and to see him changeable causes unhappiness. There is hope for us that he is all right and that becomes a alleviation.
The youngest boy out of the Corleone household is Micheal ( Al Pacino ) who is a war hero and is assumed to non follow in the household rabble concern. This all alterations though when Michael goes to see his male parent in the infirmary and realizes that there is a set up happening in an effort to seek and kill his male parent for a 2nd clip. When Micheal stops the slaying effort, a corrupt constabulary caption name McCluskey ( Sterling Hayden ) breaks his jaw out of defeat. Sonny so retaliates by killing Tattaglia ‘s boy. This is about another affecting scene because we see how emotional Corleone boy ‘s are towards their male parent. The audience truly starts to see the significance of household and how strong their bond is. Michael is truly starts to be seen here because he steps up and maintain his cool unlike his brother Sonny. This household is willing to make anything to maintain each other together and safe.
After Michael gets his jaw broken there is a fire inside of him that is initiated and he wants to seek retaliation non merely for himself but besides for the effort on his male parent ‘s life. With that being said he meets Sollozzo and McCluskey at a little Italian eating house to settle and stop this difference. Halfway through the repast Michael asks to utilize the bathroom ; in the bathroom Michal has planted a gun so he could kill Solozzo and McCuskey. As Michael returns to the tabular array we hear the sound of a metro train which is loud and really screaky and this sound contradicts the unagitated motion and look on Michael ‘s face. Because of the rough sound of the metro and Michaels cool attitude the audience knows something bad is about to go on. Then all of sudden Micheal pulls out the gun and shootings Sollozzo and McCluskey it the caput. At this point the audience starts to detect the strength of force in this movie but it is done in about a tasteful manner. There is ne’er a offense committed in this film that is n’t done without intent and deep idea. Every slaying is thought out and planned carefully. The Mafia concern is chilling to the audience but for these characters it is mundane concern that they have to take attention of.
Even though there is a great trade of force in this film and around the corner of every scene at that place seems to be a slaying or offense being committed there is something else the audience gets to see and that is the strength of household integrity. The Corleone household has a really strong bond and will make anything to maintain the household safe and together. We particularly see this when Sonny gets a phone call from his sister Connie ( Talia Shire. ) Connie returns to state Sonny that she is being abused by her hubby Carlo ( Gianni Russo. ) With this intelligence Sonny goes and beats up Carlo and warns him that if he touches his sister once more he will kill Carlo. Just as the audience expected Carlo beats Connie once more and so now Sonny goes to kill him but while Sonny is at a toll booth he is ambushed and shot to decease but the other rival households.
The last major scene that involves force is at the very terminal of the movie. The scene starts with christening of Connie ‘s babe where Michael is to presume function of the godfather to the kid. As the christening returns has planned the blackwash of the slaying for each the caputs of the rival households. While the audience sees shootings of the baptizing taking topographic point there is besides scene shootings of the slayings of the caputs of the household. Each caput is changeable to decease and this shows the power Michael has now. Michael can be making some wholly different but has the control to manage concern while making something so pure, such as being at a christening. There is great sarcasm in that. It shows the value of household but besides how the household concern will take over Michael ‘s life. Michael, every bit much as his male parent had tried to maneuver Michael off from the household concern is now clearly the new leader and assumes all the duty that his male parent had.

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